Tag Archives: exhibition

Print Matters

Sorted Books

Sort, stack.

I was at Pacific Northwest College of Art (PNCA) yesterday and found myself in the recently opened exhibition Sorted Books by Nina Katchadourian.

Sorted Books primarily features photographs of stacks of books, their titles meant to be read sequentially, top to bottom. The results are pithy dadaist poems such as:

Primitive Art /
Just Imagine /
Picasso /
Raised By Wolves

and another:

Relax /
When I Relax I Feel Guilty /
When I Say No, I Feel Guilty /
God Always Says Yes! /
Don’t Say Yes When You Want to Say No

I like the idea of books being corralled into groups for which they were never intended because that’s where they wind up naturally anyway right?, on our bookshelves in random groupings. Now I can’t help but read the titles on my bookshelf sequentially. If I come across any particularly interesting ones I’ll post it in the comments below. What about yours? Any Nina Katchadourianesque sequential titles on your bookshelf?

Sorted Books Sept 2 – Oct 23 — PNCA

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Print Matters

Collateral Matters

Collateral Matters opens this week.

Brace yourself for blatant self-promotion:

This week marks the opening of Collateral Matters: Selections form the Museum of Contemporary Craft Archives with Kate Bingaman-Burt and Clifton Burt.

Using printed materials and ephemera from the Museum archive, the exhibition reveals stories about the history of printing and design in Portland, and communicates how such printed materials construct institutional identity.

Focusing primarily on the 1940s through the 1970s, the collateral materials on view provide a simple study of both intentionally and unintentionally designed pieces in the pre-desktop publishing era. The critical role of printshops is revealed through designed print pieces, such as invitations, posters and letterhead, and then contrasted alongside office paperwork – handwritten artist statements, pastel-toned invoices and receipts speckled with red “sale” dots, for example. In an installation designed to show the visual impact of printed materials, the guest curators engage typography from the mundane to the meticulously designed, showing how graphic language functions in a range of types of printed collateral.

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