Category Archives: Print Matters

Print Matters

The Newspaper Club


My formal journalism training happened in my junior high newspaper club. Within its lo-fi confines, we learned graphic design by pasting up our hand-drawn, hand-cut page layouts with metal rulers and rubber cement. We interviewed the janitor and winning wrestling team, focusing on the five Ws. Most memorably, we took a field trip to the city newspaper, where I was completely mesmerized by the web printing presses, giant rolls of paper, and the immense power of it all, mechanically and metaphorically.

The newspaper industry has certainly seen major changes in the two decades since I toured that printing plant, but the magic of the newspaper format continues to inspire.

Enter a new kind of Newspaper Club. The Creative Kind.

Founded on a whim three years ago by the British Design firm, Really Interesting Group, The Newspaper Club allows anyone to create and produce their own newspaper, and it has gained quite a following in the past few years.

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Print Matters

Documenta 13: 100 Notes, 100 Thoughts

As a build-up to next year’s Documenta 13, German publisher Hatje Cantz and Documenta will be releasing a series of one hundred booklets all about notes and notetaking. Drawing from authors, artists, academics and more, the series will be available in August. Each release is $10, and the first is an essay from anthropologist Michael Taussig about fieldwork notebooks and how notebooks become fetishized by their users. What irony,” he posits, “that the anthropologist, namely myself, given to studying fetishism, should have unwittingly developed with his notebooks a fetish all of his own and become not only a slave to that fetish but enamored of it!”

Wow, theory and inspiration about notebooks for a notebook geek who loves theory and inspiration. I do believe I want them all!

 

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Print Matters

Little Blue Books

Pocket sized reads from yesteryear

Though faded by time, and worn by use, these Little Blue Books still astonish modern-day me with their ability to deliver such a hefty dose of information in the compact 3.5″ X 5″ format. The series was devised by Emanuel and Marcet Haldeman-Julius in 1919, and the name changed (along with the color of the cover paper) from the People’s Pocket Series, to Appeal Pocket Series, then Ten Cent Pocket Series, finally hitting its stride in 1923 with Little Blue Books. Their lofty goal was to distribute literature, ideas, and information to as wide an audience as possible via the affordable and approachable pocket-sized format. They strove to create a “University in Print.”

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Print Matters

Seeds on Hard Ground: A Chapbook

By Tom Waits

I will be the first to admit, the power of print continues to blow my mind.

But every once in a while, it REALLY blows my mind. Let’s take for example, a poem that raises nearly $90,000 for assistance to the homeless, and does it prior to actually being printed and released. Simply the promise of the printed piece was enough to kickstart the fundraising.

Of course, it’s not any poem. It’s Seeds on Hard Ground, by Tom Waits. And, it’s not any method of distribution, the two chapbook editions were beautifully designed by Johnny Brewton of X-Ray Book Co., carefully crafted by Pinball and expertly released by the team at Anti-Records. But it still raised $90,000 for people who really needed it. And the chapbooks will endure in collections around the world as tangible reminders of the intellect and generosity of Tom Waits. It’s more than the power of print. It’s the power of print in tandem with great content, big hearts, and a very worthy cause.

The poem was inspired by Michael O’Brien’s photographs of the homeless. A re-arranged version of the poem appears alongside O’Brien’s portraits in his book Hard Ground.

The chapbooks are completely sold out. But you can still donate to charities selected by Tom Waits, The Redwood Empire Food Bank, and Sonoma County’s Homeless Referral Services and Family Support Center operated by Catholic Charities.

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Print Matters

Plazm Magazine, Issue #30, Kickstart it!

Support the 20th Anniversary Issue

Plazm Magazine is celebrating 20 years of existence. Wow! That is two decades of award-winning coverage of design, art, music, literature, and culture. You can help take the 30th issue to print by supporting their Kickstarter campaign. I really wish I had $1000 to give, because that pledge level would be super helpful for the campaign and get my name in Jon Raymond’s next book or screenplay. Of course, there are many other donation levels and all help support Plazm Magazine’s awesome legacy of Print Culture.

Watch the video below to learn more.

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Print Matters

The Vulnerable Power of the Public Library

From the exhibit Public Library: An American Commons, by Robert Dawson

“I don’t know of anything more disheartening than the sight of a shut down library.” writes the poet Charles Simic today in his essay, “A Country Without Libraries.”

I’m inclined to agree.

Posted this morning in response to news of closing libraries across the US, Simic speaks of the larger losses that come with shuttering our libraries, primarily our free access to information. He also reminds us of the magical qualities found in these public spaces; books in large quantities on every imaginable subject, and a welcoming zone for adults and young people alike. A rare combination, and one that he argues is part of the foundation of our democracy and also part of the creation of well-rounded people.

Simic says, “It’s not that I started out life being interested in everything; it was spending time in my local, extraordinarily well-stacked public library that made me so.”

Image courtesy of Robert Dawson.

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Print Matters

Open Engagement: This is what you’re doing.

This is what you're thinking.

Portland State University is hosting a free conference this weekend (May 13-15). It’s called Open Engagement and it’s an ambitious initiative of the Art and Social Practice MFA program. This year’s plethora of activities explore five major themes: Peoples and Publics, Social Economies, In Between Places, Tracking and Tracing, and Sentiment and Strategies. Artists Julie Ault, Fritz Haeg, and Pablo Helguera will be present, and the Bruce High Quality Foundation University will be staging an exhibit called Bureau for Open Culture.

Activities and presentations span the city.

As part of the event, MFA student, artist and general awesome person, Jason Sturgill designed a duet Scout Book + custom pencil (pictured here). I for one would always like to be doing and thinking more and I am very grateful that Open Engagement will assist in that process.

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Print Matters

Welcome back, Photo-Lettering.

Photo-Lettering becomes more than just a dated catalog of typographic treasures.

Design world, meet Photo-Lettering, Inc.

House Industries, in collaboration with Erik van Blokland and Christian Schwartz, has just re-released the expansive library of display type from the seminal type house Photo-Lettering. The unveiling of Photo-Lettering’s web platform brings long-unavailable typography straight to the desktops of the world’s designers: a series of simple steps allows users to set their headline and then purchase an affordable vector version of the setting with liberal licensing restrictions.

How exactly did House Industries come to release a collection of dated decorative typography? The original Photo-Lettering type house closed its doors in 1985 after 57 years of operation, and eighteen years later in 2003 House Industries purchased the remaining assets and got to work making the typographical treasures available on a mass digital scale.

The website’s extensive history section reveals the passion and energy of the PLINC team; these folks are serious about the resurrection of the type library and have done endess research to power the project. The History, Ideas and Films sections contain enough rich content to keep you busy for hours, and that’s not even considering the time you could spend typesetting headlines in the extensive lettering catalog.

Go forth. Resurrect historical typography. Make beautiful headlines.

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Print Matters

The Making of Tree of Codes by Jonathan Safran Foer

When we first set our eyes on this sculptural volume released by Visual Editions back in November 2010, our immediate reaction was, “How did they make that?!”

Here is an answer. This video, made by the publisher, documents the three months of production at Belgian printshop Die Keure. Printing, die-manufacturing, die cutting, trimming, binding: this book took countless hours of people power to manufacture. And that’s not counting the research it required! Visual Editions notes they were turned down by nearly every printer they approached, the stock line being “The book you want to make just cannot be made.”

This video proves that wrong. Watch it below.

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Print Matters
Business Card Rant

“It took me 25 years to design this business card.”

Business Card Rant

Let this guy break it down for you.

We all know how important print is. But this guy? He really understands.

Watch the video below.

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