Book Report

Good Ink: American Shorts

You may have noticed that we took a break this fall from regular posting at Bangback. One big reason for this is that in August of 2011, the Pinball team started an endeavor to publish content in our Scout Book format. We are so thrilled to be working with the Scout Book format in this new way, that it is absorbing much of our extra publishing energies at the Pinball HQ.

The first series from our Good Ink imprint was edited by François Vigneault, and it features the following classic authors paired with contemporary illustrators.

Vol. 1 “An Occurrence at Owl Creek Bridge” by Ambrose Bierce, illustrated by François Vigneault
Vol. 2 “Rip Van Winkle” by Washington Irving, illustrated by Bwana Spoons
Vol. 3 “The Jelly-Bean” by F. Scott Fitzgerald, illustrated by Vanessa Davis
Vol. 4 “The Story of an Hour” and Other Stories by Kate Chopin, illustrated by Gemma Correll
Vol. 5 “Eve’s Diary” by Mark Twain, illustrated by Meg Hunt
Vol. 6 “The Yellow Wallpaper” by Charlotte Perkins Gilman, illustrated by Aaron Renier
Vol. 7 “Young Goodman Brown” by Nathaniel Hawthorne, illustrated by Zack Soto
Vol. 8 “The Fall of the House of Usher” by Edgar Allan Poe, illustrated by Tom Neely
Vol. 9 “To Build a Fire” by Jack London, illustrated by Michael Hsiung
Vol. 10 “The Gift of the Magi” and Other Stories by O. Henry, illustrated by Kate Bingaman-Burt

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Print Crush

The Independent Publishing Resource Center, A History

Chloe and Gillian

The Independent Publishing Resource Center has been Portland’s beloved center of the D.I.Y. publishing community since 1998.

I spoke with Rebecca Gilbert, co-founder and original director of the IPRC, about the history of the center, Portland’s indie publishing scene since the mid 1990s, and her role in Portland’s print community.

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Fresh Ink

Poster Mart, presented by Mike King

Each year in early September, Portland becomes a frenzied city of festivals and events. PICA’s Time Based Arts Festival happens concurrently with MusicFest Northwest, leaving Portlanders culturally stimulated and sleep-deprived. The city comes to life with performances, gallery shows, dance parties and live music.

This year, a celebration of the print that broadcasts these events will be part of the fun.

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Fresh Ink

APAK, Little Otsu, and a Pop-Up Shop at Reading Frenzy

A trio of wonderfully Portland things: APAK!, Little Otsu, and Reading Frenzy.

And lucky for all of us (residing here in PDX or passing through), the month of August will combine the three in a triumphant line-up of events.

Tonight, there will be an art show opening at Reading Frenzy featuring APAK and Martine Workman, both long-time collaborators with Little Otsu. And all month long, Reading Frenzy will be hosting a special Pop-Up Shop for Little Otsu. The shop will include all five issues of the ongoing Living Things Series (the fifth, just released, is by Apak!), along with a plethora of wonderful journals, diaries, art prints and cards all published by LO. It will be charming and lovely. You should go.

More about the Living Series after the break!

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Print Crush

Stumptown Printers

The front door of their North Portland shop.

Stumptown Printers is a letterpress and offset print shop in Portland, OR. Started in 1999, they are most well known for their enigmatic media packaging.

I spoke to Eric Bagdonas, who co-founded the shop with his brother, Bryan Bagdonas, and Rebecca Gilbert. We talked about the history of the shop, Portland’s print scene, print in the 20th and 21st centuries, and much more. Read More »

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Print Matters

The Newspaper Club


My formal journalism training happened in my junior high newspaper club. Within its lo-fi confines, we learned graphic design by pasting up our hand-drawn, hand-cut page layouts with metal rulers and rubber cement. We interviewed the janitor and winning wrestling team, focusing on the five Ws. Most memorably, we took a field trip to the city newspaper, where I was completely mesmerized by the web printing presses, giant rolls of paper, and the immense power of it all, mechanically and metaphorically.

The newspaper industry has certainly seen major changes in the two decades since I toured that printing plant, but the magic of the newspaper format continues to inspire.

Enter a new kind of Newspaper Club. The Creative Kind.

Founded on a whim three years ago by the British Design firm, Really Interesting Group, The Newspaper Club allows anyone to create and produce their own newspaper, and it has gained quite a following in the past few years.

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Print Matters

Documenta 13: 100 Notes, 100 Thoughts

As a build-up to next year’s Documenta 13, German publisher Hatje Cantz and Documenta will be releasing a series of one hundred booklets all about notes and notetaking. Drawing from authors, artists, academics and more, the series will be available in August. Each release is $10, and the first is an essay from anthropologist Michael Taussig about fieldwork notebooks and how notebooks become fetishized by their users. What irony,” he posits, “that the anthropologist, namely myself, given to studying fetishism, should have unwittingly developed with his notebooks a fetish all of his own and become not only a slave to that fetish but enamored of it!”

Wow, theory and inspiration about notebooks for a notebook geek who loves theory and inspiration. I do believe I want them all!

 

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Fresh Ink

The Heads of State & Studio on Fire: FPO Best in Show

Great Gatsby Business Card Print

For Print Only (FPO) is a division of Underconsideration that aims to showcase the most compelling work being designed and produced for print. By doing so, they also celebrate the (not-always-so) simple truth that print is alive and kicking. This year they launched their first ever FPO print awards, and we love the chance to see all the beautiful work being honored in the process.

The grand prize went to the Great Gatsby letterpress poster designed by The Heads of State. Inspired by F. Scott Fitzgerald’s who’s who list of the jazz age, Jason Kernevich and Dustin Summers decided to produce an imagined catalog of all the business and personal cards for the VIPs that attended Gatsby’s parties. The result is a stunning array of forty-eight beautifully designed and printed calling cards. Each one unique, clever, and evocative of the glamourous “roaring twenties” era.

Item: Poster
Printing: 4-color letterpress
Printing by: Studio on Fire
Dimensions: 18″ x 24″
Paper: 20pt. 140 lb French Poptone Sweet Tooth
Available: $60, Hand signed and sealed from The Heads of State

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Print Matters

Little Blue Books

Pocket sized reads from yesteryear

Though faded by time, and worn by use, these Little Blue Books still astonish modern-day me with their ability to deliver such a hefty dose of information in the compact 3.5″ X 5″ format. The series was devised by Emanuel and Marcet Haldeman-Julius in 1919, and the name changed (along with the color of the cover paper) from the People’s Pocket Series, to Appeal Pocket Series, then Ten Cent Pocket Series, finally hitting its stride in 1923 with Little Blue Books. Their lofty goal was to distribute literature, ideas, and information to as wide an audience as possible via the affordable and approachable pocket-sized format. They strove to create a “University in Print.”

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Print Matters

Seeds on Hard Ground: A Chapbook

By Tom Waits

I will be the first to admit, the power of print continues to blow my mind.

But every once in a while, it REALLY blows my mind. Let’s take for example, a poem that raises nearly $90,000 for assistance to the homeless, and does it prior to actually being printed and released. Simply the promise of the printed piece was enough to kickstart the fundraising.

Of course, it’s not any poem. It’s Seeds on Hard Ground, by Tom Waits. And, it’s not any method of distribution, the two chapbook editions were beautifully designed by Johnny Brewton of X-Ray Book Co., carefully crafted by Pinball and expertly released by the team at Anti-Records. But it still raised $90,000 for people who really needed it. And the chapbooks will endure in collections around the world as tangible reminders of the intellect and generosity of Tom Waits. It’s more than the power of print. It’s the power of print in tandem with great content, big hearts, and a very worthy cause.

The poem was inspired by Michael O’Brien’s photographs of the homeless. A re-arranged version of the poem appears alongside O’Brien’s portraits in his book Hard Ground.

The chapbooks are completely sold out. But you can still donate to charities selected by Tom Waits, The Redwood Empire Food Bank, and Sonoma County’s Homeless Referral Services and Family Support Center operated by Catholic Charities.

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